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BUY MY BOOKS | HOME | FICTION | ESSAYS | ON-LINE DIARY | MARGINALIA | GALLERY | INTERACTIVE FEATURES | FAQ | SEARCH ENGINE | LINKS | CONTACT ![]() the official website for the writings of www.ralphrobertmoore.com ![]() My second short story collection, I Smell Blood, is now available as a trade paperback and e-book download. Almost 100,000 words of fiction, including eight stories and my short horror novel, Kid. Please go here for details. Critical acclaim for I Smell Blood "Disturbing. Nightmarish. Terrifying. And above all original. Ralph Robert Moore's new collection is unlike anything else I've read all year. All decade. It's also bloody good. I Smell Blood, Ralph Robert Moore's second short fiction collection, reinforces his reputation, amongst those in the know, that here we have a genre-storytelling giant in our midst…this is a surefire cult hit which deserves wider recognition…Moore manages to distill the best qualities of horror writing and produce something which is unique…conventions go out the window, and through it, something far more beastly crawls…Moore lends you his eyes (or lets you hop into his head, a la Kid) and it is a very, very dark place indeed…Moore here tackles deep themes. Beyond the white picket fence themes. Sex games, gender relationships, obsessions…the deepest horror here are the things which human beings are capable of doing to other human beings." AJ Kirby "With eight stories and the short novel "Kid", the new collection…combin[es] horror and gonzo invention in a winning combination, with an unadorned prose style that…drives the narrative forward at a cracking pace and allows for moments of surprising tenderness. …Finally we have the short novel "Kid", weighing in at approximately a hundred and twenty pages, and the undoubted highlight of this collection…The novel's eponymous hero is a young man with the ability to head hop, to enter and insinuate himself into the mind of another and eventually seize control of his body…there's plenty of explicit sex and violence, with the scenes in which a man's face is removed particularly horrific…crime lord Knuggles is a master stroke of invention…the man oozes menace, and I cringed in anticipation of something terrible taking place every time he held centre stage…A particular highlight is the dazzling and vividly cinematic shoot out at a restaurant when the kid takes on another head hopper, each of them controlling a selection of stooges. ..."Kid" was a wonderful finale to one of the best collections I've read this year, delivering exactly the kind of uncompromising thrills and spills I've come to expect from this writer." Peter Tennant "Ralph Robert Moore's second collection confirms the excellent qualities displayed in his previous book "Remove the Eyes", namely a powerful imagination, an extraordinary degree of originality and a great storytelling ability… A highly recommended book." Mario Guslandi One thing that is very evident from the moment you start reading [I Smell Blood]: these stories are far from predictable…The characters here inhabit surreal worlds grounded in reality but full of outrageous surprises. "Visibility" [is] a tale so rich in character and atmosphere that it takes your breath away….["Afoot"] drills deep into what motivates people to want to break away from a society that confines our base instincts... The novel, "Kid", is a faultless mix of sure-fired observation…that hinges upon a plot that combines a dark and morbid supernatural ability with a crime mystery…Once more, the author has created a fascinating ensemble of characters… Moore's work is consistently fascinating, original and devastating. His characters speak to you from whatever hell they inhabit, with clear, unambiguous voices...[I Smell Blood] is a worthy successor to "Remove the Eyes." Trevor Denyer ![]() My first short story collection, Remove the Eyes, is available as a trade paperbook and e-book download. Please go here for details. Critical acclaim for Remove the Eyes "Tired of the usual suspects? Bored with the same old genre clichés? Then follow my advice and read Ralph Robert Moore, a hell of a writer whose work is provocative and refreshing, never ordinary, always imaginative and graced by a compelling narrative style…Moore has all the features of a great writer: he conceives original plots, creates credible characters and makes them speak plausible dialogues, and, most of all, is a terrific storyteller. Try him, you won't regret it." Mario Guslandi "…[Moore's] work is not quite like that of anybody else. He is a true original, someone who has taken on board the lessons of genre and mainstream, then harnessed both to his own ends, and if you are looking for something different, then I can't recommend this collection highly enough." Peter Tennant "Unusual, erotic, frightening and stunningly good…This collection showcases the wide and versatile range of [Moore's] work. From the horrors of the internal demons that infest the wonderful "The Machine of a Religious Man" to the powerful and erotic, yet despairing "Rocketship Apartment", these stories capture the extremes of human experience. The writing is tight and uncompromising. The dialogue provides depth to the narrative, drawing the reader into shocking and unusual scenarios that stun, remaining in the memory long afterwards." Trevor Denyer Please go here for more details and ordering information. ![]() My novel Father Figure, a bestseller for its publisher in trade paperback, is now available for free in PDF format. Click here to go to a page where you can download the complete text of the novel. "It is easy to see why Father Figure has become an underground classic over the years. It is a dark, extremely disturbing but completely gripping suspense thriller with a strongly erotic subtext...Moore is an extremely talented writer with a gift for pushing the reader's emotional buttons...certainly liable to become a cult classic, and deservedly so." From an editorial review Critics' Comments on Specific Stories "For me, the masterpiece of the collection is The Rape by Ralph Robert Moore, a multi-viewpoint – in every sense of the word – examination of an apparent rape (or is it) that sizzles with tension and inventiveness." Terry Grimwood, in Whispers of Wickedness, reviewing The Rape, published in Sein und Werden. "…once again the editors have confirmed their extraordinary literary taste and excellent editorial instinct by selecting twenty stories which, for the most part, are up to the high expectations of 'Darkness Rising' aficionados…In some instances, I suspect, the stories are so good as to surpass even the best from the previous volumes, much to the delight of everyone fond of solid, compelling short fiction...[four of the stories] are really outstanding..."The Woman in the Walls" by Ralph Robert Moore is quite amazing. Despite the tell-tale title (believe it or not, that's the core of the plot!) the story is so original and full of surprising twists it remains absolutely memorable." Mario Guslandi, in The Agony Column, reviewing The Woman in the Walls, published in the hardcover anthology, Darkness Rising 2005. "This is a very strong tale, which will take a hold of you at the beginning and grip until the end. It tells of a farmer and his family and the tragedies which fall upon them, and of the dedicated employee who does anything the farmer asks of him. I found this tale to be very emotional, yet creepy and violent. Moore puts us, the reader, right into the story as if we are driving it, and we are." Chris Cartwright, in Whispers of Wickedness, reviewing The Machine of a Religious Man, published in Midnight Street, Spring 2005 "…as it's always the case in any anthology, some stories in "Read By Dawn" are positively awful, some just ordinary, and only a bunch are worth mentioning. The latter group, in my opinion, amounts to a dozen, which is not bad at all in a volume assembling twenty-seven tales …The Little Girl Who Lives in the Woods by Ralph Robert Moore is a very dark, cruel tale about the hidden truths of human existence, blending the reality of spoiled innocence, loneliness, violence and hunger for love." Mario Guslandi, in Horror World Review, reviewing The Little Girl Who Lives in the Woods, published in the anthology, Read Before Dawn, 2006. "Another mind-blowing story is Truth Be Told by Ralph Robert Moore, and it is probably the story that most fits the ‘artifice’ remit. A couple – Franklin and Sarah – are talking. He questions her about her encounter at work with another woman, and his questions gradually lead her on to more and more pornographic descriptions of the encounter. It is obvious from her changing stories that much of what she is saying cannot be true. Is she taking her cues from Franklin’s (leading) questions? Is this some sort of a game that they play regularly? But there is a narrative outside of Sarah’s, and it is moving on and taking the reader somewhere disturbing. A quite remarkable story." Jim Steel, in Whispers of Wickedness, reviewing Truth Be Told, published in Sein und Werden, Volume 1, Issue 4, 2007 If you're here, it's probably night. You can see a window from where you sit, and the window is dark. Who really knows what's outside? I write. If you read, we've just made a connection. SENTENCE is the forest you fall asleep into. Like most authors, I'm more comfortable between covers, but the truth is that's getting harder and harder to achieve these days. Markets have become increasingly timid in this family values age. Plus the table of contents of most periodicals nowadays is decidedly tipped in favor of the falsehoods of nonfiction over the disturbing truths of fiction. Length is another alarm. Many small-circulation magazines, understandably, want to represent as many writers as possible in an issue, and therefore are less likely to accommodate the girth of a well-fed novella. Back in the thirties, when fiction magazines were as popular as television is today, young writers could move to the cement and grass of the city and be on newsstands two months later. We bemoan the loss of those days of opportunity, but the truth is we now have more magazines than ever before, only they're called websites. Thanks to cyberspace, anyone can put out their own magazine. No more backroom arguments with printers, no more getting down on your knees in front of advertisers, no more embarrassment trying to extract your right index fingertip from the white string knotted atop the bundle of the latest issue. Some people say, but if you put your fiction on the web, it'll be stolen. Let's examine that. What could be stolen is either the story itself, or its ideas. A story can be stolen printed or posted, but it should be fairly easy to establish, in either case, the author. If you want, include in your text an anagram that, when held up to light, identifies you like a watermark as the author. Ideas can be stolen-- a simile, a description, a joke-- but that will happen regardless of the medium in which your baggage is left alone on the airport floor. The truth is, fear of plagiarism is fear of readership. We have an enormous range of talent out beyond the electricity. Talent that can share on the Internet. There are dangers, but to be plagiarized is never fatal. What is more important is to be read. Because if it's in a box, and no one but you knows about the storms raging through the paragraphs, the footsteps plodding soggily down the sentences, water dripping off the rims of words, that's the biggest shame of all. A fizzle. Because the real achievement of writing is not the writing. The real achievement of writing is someone else reading the writing. I've been published in America, England, Ireland, India and Australia, and translated into Lithuanian. My fiction has been called "graphically morbid". My writings are not for everyone. Are they for you? Find out. You can either go to one of the links in the upper left of this page to read the complete texts of many of my short stories and other writings, published and unpublished, as well as lengthy excerpts from my novels, or you can go to Words Walking Nude, a collection of about fifty short excerpts from my work, to see if you like my style, and what I have to say. Art is an invitation to go inside someone else's mind. To see our world as they see it. SENTENCE is my mind. I'm glad you came. I just lit a cigarette. I just poured Merlot. I hope you enjoy your exploration. Webmaster Ralph Robert Moore at robmary@swbell.net. Entire contents Copyright © 1997-2012 by Ralph Robert Moore, All Rights Reserved. For a complete chronology of site updates, please see HISTORY. Established January 1, 1998. "All was chaos, that is, earth, air, water, and fire were mixed together; and out of that bulk a mass formed-- just as cheese is made out of milk-- and worms appeared in it, and these were the angels."
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the city was destroyed may 1, 2012
Many times, we don't pay enough attention to a problem right in front of us until it eats through the ceiling of our day-to-day routine. Mary and I have ligustrum bushes across the red brick front of our home, on both sides of the concrete walk leading up to our front door. We love them. They grow about twelve feet tall, thickly-leaved, great for privacy, in different pleasing shades of green (and is there any color more pleasing than green? Green is like the Mommy food of colors.) Early spring each year here in Texas, the leaf clusters produce spindly white blossoms that smell of honey and attract hundreds of tiny butterflies. Which is magical. When we drive home from an errand, they flutter like flirtatious eyelashes against our windshield wipers. We've lived in our home here for a little over two decades, now. Over the years, we noticed bees starting to orbit around the ligustrums, but never gave it much thought. They weren't at all aggressive (most bees aren't, unless you're threatening their hive), and it was kind of nice to think we're nurturing yet another wildlife. About a decade ago, I was walking upstairs, stopped on the landing between the first and second floor, looked out the window, and saw that there were a large number of bees circling in the air outside, by the bricks on the side of our attached garage. I looked closer. Between the top of the red bricks and the bottom of the white wood soffit of the garage roof (what some people call the eaves of the roof), bees were landing against the wood, then crawling inside. I showed it to Mary. Obviously, the bees were building a nest inside the roofline of our garage. We could have gotten alarmed, but again, in a way, it was kind of charming. We have a bee hive inside our garage roof. We have a lot of flowers on our property, bushes and trees, so we figured, if anything, that the bees were helping pollinate our blossoms. We liked the country idea of our house holding a bee hive. Sometime during that decade, the bee activity in the air outside the roofline grew so crowded, we decided we probably should do something about it. It was starting to look less like a fairy tale and more like an infestation. We bought several canisters of bee and wasp spray from Home Depot. I raised the window at the landing, and sprayed the bees, and their entrance, through the wire mesh of our window screen. Bees dropping out of their orbits. Bees falling backwards off the white wood of the soffit. The spray was effective. I felt bad, but at the same time, we were concerned as to what would happen if we allowed the hive to get bigger and bigger and bigger. The number of bees outside the landing window decreased drastically. For a day or two. Then they twanged back. I saw, peering through the glass, that they had created a new opening in the wood, about a foot above their original opening. Mental note to go outside, early in the morning someday, when bees are least active, probably one of the garbage days, and respray. We even bought new canisters. But I never actually got around to that second attempt to exterminate them. Other problems came up, as they do, I didn't really want to start my day, before breakfast, hauling a ladder out of the garage, killing hundreds of bees, and let's face it, the bees were outside, not inside, so it didn't really seem that urgent. Years went by. A few weeks ago, while waiting for the coffee to brew, and Mary to wake, I walked through our utility room, where our washer and dryer are, shutting the kitchen door behind me so our cats wouldn't follow, and went out into our garage. Noise. Usually, our garage doesn't have any noises. Barefoot, I flicked on the overhead light. Hundreds of bees swarming against the sunlit windows of our wide, roll-up garage door, buzzing angrily. In the white celling of our garage, near the door, a black hole. As I watched, bee after bee parachuted out of the hole, circling, then swooping to join the multitudes banging against the garage door windows. The bees had evidently outgrown the crawlspace in the eaves, and had chewed their way down into our garage, to expand their hive. I waited a little while after Mary woke before telling her. That's not something you want to tell someone as soon as they wake: Bees are swarming in our garage. They ate through the ceiling. We had some leftover bee and wasp killer, so I sprayed that at the black hole. The spray itself comes out as a long, long, tight spray, I guess for safety reasons, so you don't have to stand directly under the area you're spraying. I was about ten feet away. It felt a little like urinating on the bees, except urinating up. But as many of them that fell, heavy raindrops, on the top of the gray metal filing cabinets beneath the hole, even more came out. And although I waved my spray across the garage door windows left, right, left, so that dark bee bodies were piling up on the concrete floor of our garage like raisons, even more swarmed to the sunlight, until my canister gave out with a hiss, and we were no better off than before. I did what we all do nowadays: I went on the Internet. Learned quite a bit. If you have a bee infestation in your home, it's not enough to just kill the bees you see. You have to go into the structure of your home to locate the honeycomb, and remove it. If you kill all the bees (if you could) and the honeycomb is still in there, under the rafters, outside bees will move in, and before long you're back up to infestation levels again (most bee hives inside the structure of a home contain tens of thousands, or hundreds of thousands, of bees.) I printed the pages for a couple of local companies that specialize in bee removal. (They don't exterminate any other insects - just bees.) Mary and I didn't look forward to having someone come out to our home. It's a hassle. We have to make sure all our cats are secure in a room behind a closed door, so they won't run outside. We have to get dressed, and cock an ear to listen for the doorbell over, usually, a four hour window when the repairperson might arrive. Then once they do arrive, you never know how long their visit will take, or if the visit will be successful. On top of all that, there's the stress of having no idea whatsoever how much it costs to remove a bee infestation. Is it a couple of hundred dollars? A couple of thousand dollars? Do you know? We sure didn't. One thing I've learned is that when you know you have to do something, and you dread doing it, the best thing is to pick up the phone and make an appointment. It's not a difficult first step. You're at home, a pleasant evening ahead of you. All you have to do is talk to someone for a few minutes, then you can hang up. It's all about "setting things in motion." Then all you have to do is drift towards the appointment. The bee guy came out that Thursday, the latest in a long line of repair people to our home stretching back to infinity. He was an older man, pot belly, big sincere smile. I showed him the orbits of bees outside, by the edge of the garage roof. Took him inside, through the kitchen, through the utility room, to our garage, where he could see the black hole they ate into the white ceiling. Hundreds of bees swarming against the garage door windows, humming to themselves. "Fortunately, they're non-aggressive." He nodded. "Well, that is fortunate. Most Texas bees these days are hybridized. Half honey bees, half Africanized bees." (Texas bees are valued for the complex sweetness of their honey, and in fact you can go to almost any farmer's market and buy a tub of fresh Texas honey.) "Also, if you want, I can take you to the second floor landing, where you can see the entrance to the hive." He drew in breath through his nostrils. "I'd like that a lot." So up the carpeted stairs we went. I had already pulled up the mini-blinds earlier in the day, in anticipation of this moment. He bent forward, looking through the window. "That's quite a few of them." He stood on the landing for, I'd say, about five minutes, just watching the bees land on the white soffit, then blackly crawl inside the hive entrance. Which is a actually quite a long time, to be doing nothing other than watching bees. But I knew he was trying to decide how much to charge. Mary and I had no idea how much the hive extermination would cost. While we're waiting for a repairman, we'll usually play a game, guessing what the fee for the service will be. Because we don't have a clue. To cut down a large tree in our backyard, remove all the limbs from our property? To replace an outside faucet, making sure it doesn't drip? So while he was adding up costs in his head, silently, I was standing next to him, not wanting to interrupt the process, thinking, Four hundred dollars? A thousand dollars? Three thousand dollars? When he finally gave a quote, I didn't immediately agree. I looked at the busy hive entrance, pretending to mull it over. "So, for six hundred dollars, you'll completely remove the honeycomb, kill all the bees, guarantee that for a year they won't come back, otherwise further treatment is free, and repair any damage to the house's structure you do getting to the hive?" "I will completely remove the honeycomb, I'll kill ninety-nine percent of the bees, but the rest will leave in about a week or two once they realize they can't rebuild the hive, and I'll seal off the hive entrance. I will repair any damage done to the home's structure, but we don't do any painting. That has to be done by the homeowner." We shook on it. Part of the agreement (which you always have to do with contractors) was that he would receive no money at all until the job was completed to our satisfaction. (Never pay a contractor in advance. If you do, you lose all bargaining power.) He couldn't do the extermination that evening, because he didn't have all the equipment he needed. He agreed he'd come back the next day, Friday, about two in the afternoon. The nice thing about that was all the work would be done outside our home, so our cats could roam free through our rooms. We didn't have to round them up. He showed up on time the next day, Friday. We chatted on the front porch a while, me wanting him to get started but not wanting to be rude, then I finally said to him, "Well, I better not hold you up any longer." He came out of the reverie of whatever sentence he was next framing, gave me an alert nod. "You and your wife need to stay behind the windows while I do this." Nothing happened for a long time, then we saw him approach our house from his white pick-up at the curb in a full-on white hazmat suit, beekeepers hood over his head. The sight of him crossing our green grass looked comical and serious. He started off standing on the ground underneath the hive entrance, spraying upwards. I assume this was an insecticide. After about ten minutes of that, and you can imagine the urgent signals being buzzed about among the bees (dot-dot-dot, dash-dash-dash, dash-dot-dot-dot), he climbed a ladder to the soffit. Sprayed some more, then wafted smoke all around the soffit. Using an electronic drill, he removed the screws holding the soffit in place. Pulled off the long white plank. Sprayed into the exposed interior. Forty-five minutes later, he rang our front doorbell. He was still in his hazmat suit, but he had pulled off his beekeeper's hat, and was holding it in one hand. His face was really sweaty. "Okay, we got it." I went out with him to the back of his pick-up. There was one of those large, thirty-gallon black trash bags in the bed of his truck. He loosened the yellow pull tabs, so I could see inside. The darkness of death, in the form of a long, long yellow honeycomb, something an ENT would pull out of an anesthetized nose. And it was beautiful, thousands upon thousands of hexagonal honey cells, crammed one against another in rows and columns at the bottom of the bag, and up one black plastic side. He said he needed to leave the plank of wood off the soffit, to let the interior of the roofline dry out (it was still wet with poison.) He'd be back Monday to screw the plank back in place. We invited him inside, to sit at our breakfast nook table and have a few glasses of ice water, to cool himself down (it gets hot in that hazmat suit under the Texas sun.) I asked him how long he had been killing bees. "About three years." I was surprised. I expected, "twenty years", or "since I was a little kid." It turned out, he was a handyman, and three years ago answered a Craig's List ad from a woman who needed people in north Texas she could train as bee exterminators. Asked how many times he had been stung. He grinned. "I don't know, but countless." His worse extermination? Right after he started, when he was out with his trainer, standing under the eaves without a hazmat suit, watching as the trainer used a screwdriver to pry off the bottom of a soffit. Unfortunately, the soffit was heavily eaten-through ("bees are worse than termites"), and as the bottom board of the soffit crumbled, about a hundred bees fell on top of his bare head. He came back Monday early in the morning. Spent about two hours replacing the soffit's lower plank and sealing it. There were still a dozen bees wheeling about the now sealed-off entrance, but he assured us they'd soon be gone. He also sealed the black hole in the white celling of the garage. (On his ladder, squinting up at it, he said, "It's perfectly round.") And indeed, two days later, we were down to one stubborn bee, crawling and recrawling where the entrance to its hive had been, and then the next day, that bee was gone. The city was destroyed. April 17, 2012 was the tenth anniversary of Mary's stroke. At the time, the neurosurgeon at the emergency room told me he wasn't sure Mary would survive the weekend. But she did. She survived, we survived, and now we're stronger than ever, deeper in love than ever. Thank you, dear God.
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